Anderson .Paak the Dopest Artist Out Now?
To those of you that don’t have Anderson Paak’s album “Malibu” do yourself a favor now and get it!
While Anderson .Paak has been out for a while and grinding on the music scene for the past I don’t know how long, this album “Malibu” was his real introduction to the world. And what an introduction! He sings, raps, and plays drums all at once. Literally one of the most amazing acts I’ve ever seen live because he does all 3 on such a high level and with so much energy. Seeing this type of artistry that incorporates so many styles into one is so amazing to see. And even more amazing is to how it’s received by the masses. It’s inspiring to see these true ARTISTS make great art and it still be accessible by the masses. It just shows me that people are thirsty for good music and this excites me about the future. There is a wave happening in the music scene and across the world where more artists with talent and ability are getting more shine and the appetite for the masses is growing. The future is bright!
Thanksgiving is probably my favorite time of year; the weather
is perfect, the food is amazing, it’s my baby brother’s birthday and most importantly I get to go home and spend time with my family. (It’s pretty much the dopest time of year!) Like from music, family has been a constant in my life and a very important aspect of my life. For various reasons, our family has had to move numerous times and relocating throughout my childhood was very difficult. It had a profound affect on me. So music and my family became the only things I could really count on. For this reason, every year, no matter how busy my brothers and I get, we always make an effort to all be together a few times a year. Also getting out of NYC, even for just a little bit, is the most refreshing thing ever lol
Black American Music and Soul Music
I’m not sure who first coined this term but I do remember Nicholas Payton using it a lot a few years back to describe Jazz. I don’t intend to go back down that rabbit hole with this post, but rather to better define how I would describe my music. I grew up on soul music and particularly a lot of Motown artists such as Stevie Wonder, Marvin Gaye, Temptations and Smokey Robinson. This had a profound affect on the music that I gravitate to. Even after studying jazz for a number of years I find myself always gravitating back to my roots (but informed by jazz). The music that I like to create is influenced by the soul music I grew up on as well as the Jazz that I’ve studied and been immersed in while in NYC. Both Jazz and R&B/Soul are art forms that have come out of the African American traditions. When it comes to trying to classify the music that I make, the best term I can come up with is Black American Music or plainly just Soul. If it comes from the Soul and sounds like Soul and feels like Soul then lets just call it what it is… Soul Music.
“Somewhere in Between” and the Concept Behind the Album
The concept behind this album is Love. I know that sounds cliche, but before jumping to conclusions, just know that this album is not the typical happy-go-lucky love story. This album is about my two, sometimes conflicting, loves: the life-long love I have for music and the love for my girlfriend of 3 years. It’s also about the struggles I have had trying to find the balance between the two. This battle to find balance between both relationships has played a pivotal role in making me who I am and my musical evolution. This album will feature both my saxophone as well as my vocal debut. I”ve decided to name this project “Somewhere in Between” because I so often times find myself caught in between my two loves and similarly between my two favorite styles of music, Jazz and RnB. I feel that we as people have to follow our own hearts and clear our own paths in life. This album is about trusting that intuition.
Frank Ocean’s New Album “Blonde”
This Frank Ocean album couldn’t have come at a more perfect time! He released a visual project exclusively on Apple Music and then within 24hours he released a 17 track full length LP entitled Blond. Did it live up to all the hype you wonder? Well in many ways it did and in some ways it didn’t. This depends on what you expected from Frank. If you expected an album full of club bangers or catchy radio hits like his last project Channel Orange, (which had hits such “Thinking Bout You” ”Super Rich Kids” and “Sweet Life”) then you were probably quite disappointed with Blond. However, if you are like me and expected another piece of art that told a story, filled with simile and metaphor from beginning to end then this was the PERFECT album. In a lot of ways I think this album was exactly what the world needed. Firstly, I love that Frank puts his emotionality first in his music. Second, I think its amazing how well refined his songwriting is. His songs are often metaphorical and tackle multiple topics at once, yet he still is straight to the point in some instances. Lastly, I love how Frank seemed to refuse to go for the low hanging fruit rhythmically. What I mean by that, is that he seemed to avoid falling into the clich’s of 2016 such as trap beats, Drake-like phrasing and melodies confined to 3 or 4 notes. He showcases his range so well yet still makes the focus about the stories and not the notes or grooves. I think this world needs more storytellers like Frank Ocean. I aspire to be like that in music’s #GOALS
I”ve recently started a weekly series called Transcription Tuesdays and it is aimed to uphold tradition in this coming musical age of anything goes. Now don’t get me wrong I think it’s important make the music that you want to make BUT I think it’s at least important to be informed as much as possible about the history of the music you”re making. For that reason, I always strive to transcribe daily whether it is something as short as a lick or as long as a full album. This keeps my ears sharp, allows me to get more grounded in the music and also allow me to grow musically.
A little background on me and my start at transcribing!
I got my first private saxophone teacher pretty late in the game. I was 15 years old and my teachers Morgan Russell and Paul Carr always stressed the importance of studying the Omnibook (a collection of Charlie Parker solos written out) as well as the importance of listening/copying artists that I liked. This was always a major component of my lessons. Paul Carr would assign me a Cannonball Adderley solo (like “Minority”) to have written out and memorized for next week. This type of fast paced instruction pushed me to grow very quickly. In a couple years, I had gone fom a novice to playing in the All County, All State Bands and even national groups such The Grammy Band, Vail Jazz All Stars and YoungArts Fellows. I honestly believe this rapid development came not from mere running scales and arpeggios but from learning hundreds of solos and listening non-stop. I learned thousands of solos by ear during that time. I would sing them, play along with them on piano, and of course learn them on saxophone. When learning any language you have to emulate those that do it well and Jazz is no different. So to anyone reading this wondering how do I get better? Or feeling like they”ve hit a plateau. Trust me, there’s more to do and more to learn. Keep transcribing! There’s always someone better than you out there’s transcribe them! LOL
I’ve been listening to this solo for years now! The first time I heard it was probably freshman year at Juilliard. Carl Allen, who was running the Juilliard Jazz program at the time, was actually on this live recording (Berlin Jazz Festival 1985) which featured Dizzy Gillespie, Freddie Hubbard, Ira Coleman, and Kenny Garrett. I remember I wanted to impress him and learn something he played on and since I love young Kenny Garrett (back in his bebop days) I figured I would learn this one. I’ve since rewritten and relearned this whole recording again including the Freddie Hubbard and Woody Shaw solos that come after!
I love working on my upper register and altissimo register and I find playing along with Trumpet solos or Piano solos are a good way of extending my range. Here, Wynton takes a masterful solo on Swingin’ at the Haven. This track comes from the Marsalis Family record and there are a bunch of gems on that album. Also Ellis really sounds amazing as well!
For the average listener, the Stan Getz/Joao Gilberto Bossa Nova album is the greatest Bossa album ever! However, if anyone has ever heard this Cannonball Adderley and the Bossa Rio Sextet (Featuring Sergio Mendes) album, they would know that this album should be THE quintessential Bossa album!! I stand by that!! LOL No, music isn’t a competition but I just love Cannonball. Anyways, hope you enjoy his solo on “Minha Saudade.”
I love this era of Coltrane because his articulation is so clean!! This particularly recording comes from Miles Davis’ album Round about Midnight.